Fonts

Our first variable font. An octagon detonated all this.

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Typographic revival of the work of Antonio Espinosa de los Monteros, first printer of the Neogranadian Viceroyalty.

A bit of French naïve does not hurt. Joyeux's starting point is the French signage from the interwar period.

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Our first variable font. An octagon detonated all this.

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Inspired by the works of Didot and Bodoni, Santander has a renewed nineteenth-century air.

Typographic system whose proportions obey π (3.1416). A real delicatessen for the contemporary geek.

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¿Gótica itálica? Un sistema tipográfico con un espíritu bastante gótico.

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Own interpretation of the typographic state of the early twentieth century.

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